| The Sibylline TEXT GRANT PROPOSAL by Brooks Atwood & Anda French The project is named for the Cumaean Sibyl, the priestess at the Oracle of Cumae, seen in Virgil’s Aeneid. The Sibyl inhabits a cave with one hundred openings, revealing her prophesies on a series of oak leaves within the cave. If a wind blows through one of the openings, the oak leaves are scattered, thus re-sequencing the prophesy and creating potential through misinterpretation. The project primarily seeks to explore the potential value of the text message beyond its utilitarian informational nature, as a cultural and social device. This technology is engaged not simply as a reactive device but a proactive machine. IMPLICATIONS: These investigations would allow for the creation of sensory based cinematic event-scape architectures (in other words to discover the relationships between the physical self and the surrounding environment in the past, present and future time-spaces). Can the relationship between place and information be generative rather than incidental? “One must also remember that the surface of the territory
is mobile and fluid as it is given to the continual distortions of memory.”
Cache, Earth Moves Dichotomous Conditions: Japanese Text Novel: The Japanese phenomena of the cell phone novel, a full length novel written in installments and downloaded by text message from a central website, suggests that this simple communication has a larger cultural significance. The act of downloading a story by text produces unforeseen potential. An unexpected benefit of the instant upload is the writer’s ability to immediately track interest in a certain storyline and to change his or her tack quickly to increase subscription. Potential: The potential also lies in the immediate feedback that can change not only the source information, but can redirect the story by corruption and misinterpretation built into the user-interface. The project recognizes the larger potentials in this new paradigm and seeks to broaden the opportunities of this standard technology to have greater public, social, and cultural implications, beyond those of obvious commercial interests. Re-Conditioning:
Waning interest in the traditional use of the public library has produced a series of responses that reassert and reinterpret the use, program, and function of the model and redefine the social implications of a centralized space to access information. Potential: Re-Conditioning: The ability of the individual to download and alter information dependent upon their position within certain zones is tracked by the information exchanged through each download. Thus the traditional relationship between information and place, whereby the individual must physically move to the site of the information (as in the traditional library) is both inverted and converted. Information can be conditioned by the movement of the individual relative to place, rather than the movement of the individual being conditioned by the place of the information. Because the sequence of downloading information from certain zones will have a direct effect on the possible interpretations of the distributed narrative, users will begin (through repetition) to realize their own agency in sculpting the story.
Re-Conditioning: The potential here is for a new kind of interactive mapping, a vertical mapping, by which multiple, possibly contradictory information is mapped onto a single point. The possibility for this overlap to create new meaning and new combinatorial types of privileged knowledge will be explored through the testing of this project. Can nonlinear sequence, information overlap and the potential for misinterpretation applied to specific place generate emergence in both meaning and movement?
In contrast, in Virgil’s epic poem, The Aeneid we find a weaving and overlapping of disparate events, places and timeframes through an assumed “real time” of Aeneas’s journey. The nonlinear unfolding of information mapped back to this linear journey heightens the awareness of the text as an alternating source of privileged knowledge. Potential: In the age of increasingly accessible information does
the prophetic model of privileged information shift from the chosen few
to the very many? Does this imply the loss of a meta-narrative? Is it
a world in which we are all Virgil- retroactive prophet? Or are we all
simply the much-buffeted Aeneas – seemingly in control through privileged
knowledge, but in fact victim to its misinterpretation and the whim of
fate? Re-Conditioning: DEVELOPMENT: The three month timeframe for the Fellowship would constitute the time to develop and set up this system, to run various scenarios in the city, and to analyze and document the narrative and mappings which will ultimately emerge. The great advantage of working directly with this consultant is that the system can be adjusted according to the relative “success” of each run through. The advantage of an iterative approach to running the system is that the potential of the project can only be realized through its actual execution. Emergent properties of the system may have far wider ranging possibilities then the initial set up anticipates. Research in the public realm, in conjunction with the technical development of the project, would be strengthened by working through the Institute. Tapping into existing cultural and social networks will increase the likelihood that the project will reveal its immense cultural potential. In a sense, by exploring the project in this forum, for its theoretical potential, it can develop not out of commercial interest, but out of a commitment to the social realm. IMPLEMENTATION: Testing would occur in a single building, within a public place, and across a series of public spaces. The building would ideally be a museum, in which the released narrative would have a direct link to the material of the museum. The public place would be a park in which the released and distorted narrative would augment the use of the space. The series or ‘neighborhood’ of public spaces might be linked and unlinked plazas and parks throughout the city. In this scenario various zones would be distinguished to define information thresholds. The potential for this final scale is for the project to continue, increasingly in variability be the increase in participants. DOCUMENTATION: Mapping: Graphic documents will be developed to track the
movement and stasis of the participants relative to the changing story,
as documented on the central server and website. Film: In the case of testing at a specific building or public place, film will be used to detect the influence of the shifting information on the behavior of the participants. Will individuals remain autonomous in their participation? If participants become aware of one another, will they begin to exchange information in other ways? Will response time differ based on the current activity in which the participant is engaged? Book: A printed “book” of changing text, including shifts in sequence and meaning, mapped to shifts in movement in the city, will essentially become a 21st century version of the epic poem. Nonlinear Timelines: As a central database will track all changes to information (shifting narratives) along with links to individual download positions, this information can be produced as a single document or series of hybrid documents, to explore ways to emphasizes the spatialization of information. POTENTIAL: The project has the potential to reassert the agency of the individual, along with the accumulation of individual agency to produce larger trends and to influence cultural narratives. It is not merely using a technological device to map existing information, rather to engage the potential of the technology to create cultural shifts, new relationships, and unanticipated meaning. Only through testing can the user discover the possibilities of the system. Source information is primary, but is changed based on two factors: the agency of the individual participant and the position of the individual relative to the primary source. The project as a mapping tool is not reactive but proactive. As such, the goal of the project is not necessarily utopian, as the potential is to explore both the harmony and the breakdown of the system There is potential for the infinite growth of system – the more users the more exchange, the more shifting of the relationship between information and place. There is also the potential for entropy – certain strains of a story could die, creating exclusivity to status within the texting network, based on knowledge of extinct information. The project seeks to restore the potency of public space as cultural origin rather than incidental non-space, and may do so as subtle shifts in information reorient the user in the city Present Status of Research: |